Thursday, December 13, 2018
Journal With Impact: Overview
Workshop:
Six Conversations for Writing Creative
Journals
“Surely
a kind of fascination or a deep desire to learn more about a subject must be there from the start.” Jane
Yolen
Whether you have been exploring a journal
memoir, or nature, or travel, or family, or vocation, or ongoing reflection,
your material has been growing. If
you decide you’d like to begin sharing your thoughts with others one-to-one, or
as a blog, or in articles, or books the next steps can become basic outlines
and categories to see where your content is overflowing or where it is slim and
needs more research or personal involvement.
Think in terms of a preliminary outline to
gauge your primary purpose and direction.
What is your
story/subject about? Where did it start? Is it an idea to explore, a character memoir,
a significant place, or a feeling that sent you on a search?
What is your
delivery voice? The delivery voice, like any story, includes the writer’s voice,
which must be the consistent voice of your work and worldview. It includes the:
narrator’s personae/personality
attitude towards the subject
world at large.
What
language style will engage a conversation between you and your reader? What words
will sing from your story to your readers’ hearts?
And
with whom do you most want to share? When you know that the above questions
will almost answer themselves.
Hope
you continue to enjoy journaling.
Thank you for reading and participating in this
year’s blog. In January the new writing blog will be based on my workshop Words
That Sing. Below is an excerpt exercise on a language search for when you just
need the right one for a particular reason or moment.
And for those of you who would like some small
snippets to journal on for a few more weeks, I am posting three blogs based on
poems by Langston Hughes as you consider your own dreams for the coming year.
Holiday Blessings and Happy New Year.
Action
Steps:
Here’s
a brief excerpt from an opening paragraph from an exercise called Quilting in
the Ditch, given by James McKean in the book The Practice of Poetry.
“Choose a
particular item or activity and make that the object of the language search.
Find out as much as possible about the language associated with that object,
especially active and concrete verbs, the history of the names used for that
object, and terminology that seems especially colorful. Then save from your
search a list of nouns, a list of verbs and a list of adjectives.”
I’m
focusing on this section only as a variation on the list poem as well as a
general search for key metaphoric and rich words. The first run may or may not
contain usable words, but by doing so you’ll spark imagination. And/or you may
discover just what you needed for a particular sentence or detail.
Here’s
an example of one word I searched just on the surface. I didn’t take his next
step of research on this. Dividing the nouns, verbs and adjectives gave me
sufficient material for my needs at that time.
Word=Compass
Nouns Verbs Adjectives
arc enclose curved
spatial
position draw navigational
instrument determine indicator
directional
device pivot magnetic
circular
cord ‘moveable
rigid legs
hinged at
the end’
I
ended up with fifteen words to choose from. The next word I choose to search
was navigate for which I ended up with thirty-six words.
To
my surprise I was actually able to incorporate the moveable rigid legs.
Have
some creative exploration.
Share: What surprised
you?
Read deep, marcy
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