Thursday, February 9, 2017
Overview Plot Development: Rising Action
Workshop: An Introduction to Writing for Children and Young Adults
“Every story can benefit from its author holding back enough so that the reader remains eager to find out what’s going to happen.” Barbara Seuling
The action, tension, questions and stakes need to increase throughout the plot—even when the story line is a simple one.
For example, in a linear sequence the main character keeps moving forward until she gets what she wants, says Marion Dane Bauer in What’s Your Story. And she will be in a very different place at the end than at the beginning.
In a circular version, by the end, the main character has literally returned to his beginning, but now the story’s resolution centers on how he repairs the connection with his father.
Aristotle is known for developing charts of rising action High Points with each chapter scene pushing the boundaries higher until the story reaches its climax. Each chapter in a sense contains the same issues—goal/conflict all gathering towards the over-arching story line umbrella.
Fairy Tales and Folk Tales are often delivered in three stages with each one becoming more distressful.
Look at each event through the main character’s eyes. How will it change him? If a scene can be taken out without it altering what follows—it doesn’t belong in the story.
1. Make a list of possible scenes that explore your character’s main desire.
2. Now rank them according to obstacles.
3. Next by emotional ones.
4. Now put them into the two tiers and see where any holes are. Fill them in.
Share: Which scene choices were the most difficult to make tense?
Read deep, marcy