image: header
Home | About | Contact | Editing Services | Resources | Workshops | Mythic Impact Blog | Sowing Light Seeds

“You enter the extraordinary by way of the ordinary.” ~Frederick Buechner

Tuesday, June 25, 2019

Words With Impact: Discern Typology Theme Threshholds

Workshop: Discover Words That Sing

“Thresholds are necessary in the creative process in giving an idea somewhere to go.” Tim Wynne-Jones


Earlier in Deepen Vocabulary we looked at some ways we can influence our words with ambiguity like crossing a threshold. Here we’re looking at thresholds as an example of conveying image symbols with almost silent connections that undergird themes like the web threads without being as direct. Themes can often become a silent and powerful tool for typology impact through questions and choices and possibilities. Whether the purpose is for one scene only or an ongoing thread it invites personal participation.

 Do we open the locked door at the end of the spider-coated hallway? Are we ready to hear the words written in the old manuscripts found buried under the house?

When Eve saw that the tree God had forbidden, “was desirable to make one wise, she took from its fruit and ate; and she gave it also to her husband with her, and he ate.”
Pandora couldn’t contain her curiosity and opened the box. “Out flew every kind of disease and sickness, hate and envy, and all the bad things that people had never experienced before. Pandora slammed the lid closed, but it was too late.”

Both these women were well warned before they succumbed to temptation, but what about the times there are no clear directions. We have good reason to hesitate before the unknown.  When do we need courage to resist a threshold, because the consequences are beyond our control and could bring great suffering, or risk stepping into the unknown to bring light into darkness?

If Lucy had not opened the door at the back of the wardrobe and discovered Narnia, she and her siblings would not have been instrumental in breaking the White Witch’s spell. By willingly entering the Beast’s palace, Belle breaks the curse. Hercule Poirot follows every lead possible until he can bring a culprit to justice.

Change, no matter how small, can create mental and emotional chaos as you turn into a different direction, physically or emotionally. To cross a threshold though requires a choice, even if it has been forced upon you like a refugee fleeing his war torn land. All sensory memory is heightened and sharpened. It is not just the moment that is at stake, but the journey that follows it. Thresholds become part of our soul shadows as much as our physical bodies cast their shadow. And the question can linger. “Did I choose the right fork in the road?”

Action Steps:

1. Look at the literal thresholds in your character’s daily world and choose one to explore as a figurative threshold. 

2. Think of ways they could become a life-changing threshold for your character: doors, windows, cupboards, gardens, railroads, or books.

3. And/or put your character into a moment of choice. Overwrite all the sensory details in the initial draft. Then write up the brief scene twice, once for each possible decision: to flee or fight, or to submit the accepted dogma either socially or personally.

Share: What main theme connection did you choose? Why?

Read deep, marcy

Saturday, June 22, 2019

Words With Impact: Discern Typology Genre

Workshop: Discover Words That Sing

“The poet—when he is writing—is a priest; the poem is a temple; epiphanies and communion take place within it.” Denise Levertov

Genre Typology Threads

One definition of an epiphany is that it is a moment of revelation or insight. As we saw earlier symbol webs can strengthen genres through a variety of image styles. Readers often lean towards one or two genre styles because of the insight they want to explore for themselves. We also have our favorite style or depth within those choices as well. Both a cozy mystery and a psychological thriller give insight into a murderous revelation, but the details and the descriptions of each will be very different.

As readers we lean towards the subjects and styles where we want to discover or understand the revelation the story unfolds. Symbols, images, concepts, and themes can be expanded both in a genre style and or as a thread borrowed from one genre to another to give a fresh view. And a very ordinary situation can be developed into a very different perspective like the shifting mirrors we saw earlier.

For example: sometimes we don’t need to search for mystery. It can happen during an ordinary day. The unexpected happens, either positively or negatively, shifting our perspective into a whole new direction. Suddenly the ground shifts out and the familiar, the foundation, is cracked opening into a world we do not know and cannot understand.

Choices follow. Do we get out a flashlight and investigate the new terrain, however hesitantly, or hide away and hope the world tilts back to normal in the morning? Perhaps a little of both enables ourselves, and our characters, to cope with sudden change.

In the movie Larry Crowne, when he is called into the office for a special meeting, Larry confidently expects to receive yet another employee reward. Instead he is fired for a supposed lack of education. Which is a total mystery to him. He grew up in an era when high-school education was the only requirement and work experience became the criteria for advancement and evaluation. Now none of it is considered valid? When and how did the life rules change? Or did they really?

Although still in shock, Larry begins to build a new life trying to adapt to a new culture for him—college. Like a young child entering the world of kindergarten everything is a mystery. Some days are extremely difficult and bewildering. However he also embraces the unknown with curiosity, changing not only his life but also those around him—especially his worn out, jaded instructor. He finds a way to blend his past and present into a rich discovery.

Action Steps:

1. Even if you do not have a mystery in your novel choose a situation to become a mini-mystery parable with long reaching significance.

2. Pick a scene where your character is pressed for time. Make a list of possible obstacles, such as a flat tire. Have a good ‘helper’ come alongside to assist, but keeps making the situation worse.

3. Then, when your character finally reaches his goal, he realizes that the interference saved him in some way—maybe from a huge embarrassment. How does that change his perspective on his frustration?

Share: What common question became a typology thread? Was there one word or concept that could be developed into several angles?

Read deep, marcy

Friday, June 21, 2019

Words With Impact: Discern Typology Character

Workshop: Discover Words That Sing

“Chart how each symbol you use changes over the course of the story.” John Truby

Character Typology

Does this character description remind you of anyone in particular?

-on top of the power hierarchy but his power is not boundless
-can be still be opposed, deceived, and tricked although dangerous to do so
-in a long term marriage but has endless affairs
-does not participate in petty arguments and schemes of daily activities
-can be extremely vengeful

Based on familiar movies, my first response might be a dictator or a CEO of a vast financial/business empire, or a James Bond 007 villain. But these are some of the characteristics given in Greek mythology to Zeus. Somehow they still sound quite modern. Truby notes that the character Tracy Lord in The Philadelphia Story can be compared to a goddess, not only because of her beauty and grace but also her coldness and fierce sense of superiority to others.”

Each genre also has its own special qualities for heroes. A place to begin might be to list what you consider to be heroic qualities. Are you looking for a Batman or a John Wayne, or is your hero a parent who shows up every day. What do you consider to be the difference between a hero and a role model? These questions will help you decide where to look for the ‘types’ that will best flavor your novel with the right added depth whether you are looking in characters, plots, or setting.

Action Steps:

 Example: In New Testament scriptures Peter was named the Rock, and the promise given that Christ’s church would be build upon him. In ancient Israel a strong foundation meant a rock foundation, both for the Temple of worship and for any military protective walls. Peter’s new name as symbol echoed his past history and bridged into his new character and role.

 From modern culture, Rocky Balboa does not seem to fit his name at the beginning of his story but like Peter grew into it. What traits did he build upon to become his name?

1.     Make a list of your character’s traits, positive and negative.

2.     Note where the change points are. Choose one and make a list of possible symbols that define that particular action or emotion.

3.     Then list as many variations of that symbol as possible.

4.     Use John Truby’s opening quote and make a chart of your choices.

Share: Did you discover more positive or negative options? Did any surprise you?

Read deep, marcy

Thursday, June 20, 2019

Words With Impact: Discern Typology Introduction

Workshop: Discover Words That Sing

“That old fossil, those old bones, walk again, and sing and dance and speak with a new tongue. The old stories bridge the centuries.” Jane Yolen


There are several opinions as to how many plot patterns there are for stories and how they can be interpreted. However the very basic two are considered to be 1) the hero or heroine leaves town, or 2) a stranger comes to town. It is quite amazing to see how many stories and movies fit into these types.

But just as these two plot structures can be repeated several times, and in several ways, they are not a formula. Yet they can be considered a typology in that every reader or viewer has an immediate connection to the premise. The frame might be an old story but it has the capacity to bridge the centuries regardless of genre.

The characters, phrases and patterns we internalize through our personal histories, literature, scriptures, folk-tales, songs and culture continue to add mythic depth in our reading and our writing. We make ‘copies’ of the original typology and pass them on through the generations. Some become so familiar that they enter into everyday language as common metaphors or references, both across languages and within ethnic cultures, giving us shortcuts.

Terrible sea incidents become tied to Poseidon allusions or flood. Rainbows are considered a sign of promise around the world. Black holes immediately spell danger. So does Godzilla, regardless of the language being spoken.

We use a modern version of typology when we give social references. “They’re calling her the new Marilyn Monroe.” The allusion of course is toward the actresses’ public personae and probably has no basis in comparison to either personality.

Or one friend introduces another at her party. She confides, “Watch out for that one—he’s a flirt. Stay away from that one—he’s a wolf.” In a shorthand version the explanations are clear. With the flirt type no one gets hurt if you play by his rules, however, with the wolf type there are no rules. One gives an impression of harmless fun whereas the other is a predator. Little Red Riding Hood stories have grown cute over the years but the early versions are quite disturbing with strong undercurrents of sexual danger. Were medieval mothers trying to protect their young daughters from men in powerful positions, lord of the manor types, and so used the metaphor of familiar dangerous, hungry wolves that prowled their forests in the winter as the warning?

Action Steps:

1. Choose two of your favorite movies and keep track of all the familiar and unfamiliar types you identify with—whether setting or character traits or story plot.

2. Compare in what way they copy something in your own life or experience or imagination.

Share: Did any particular image or reflection surprise you?

Read deep, marcy

Tuesday, June 18, 2019

Words With Impact: Design Symbols as Images Techniques

Workshop: Discover Words That Sing

“Imagination decides everything.”                                      Blaise Pascal

Animator Tezuka Osamu’s images, themes and stories that he worked with came from the heart. It showed through his choice of topics and the manner in which he developed his films. Some techniques he had to let go of because he couldn’t find enough people skilled in the process, but he kept as close to the passion of creating film by hand because “I really wanted to keep the preciousness of the hand animation in the work,” he said. At the time his industry was undergoing a metamorphosis of its own and Osamu felt that the original work of Japanese animation was becoming imitative instead of original.

The story was fueled by the techniques and the techniques enriched his storytelling. For example in his short film, The Legend of the Forest with Tchaikovsky’s Fourth Symphony Op.36, he divided the story into four parts. And then each movement he animated in a different style beginning with a basic form and adding more details and complications with each transition. So alongside the legend he also visually showed a development of animation without speaking about it at all. He embedded the metaphors naturally.

“Perhaps the animation can be supported by the passion of the creators.”

It’s that passion that creates timelessness as well as creativeness. Viewers today may find some of the imagery he uses odd or old-fashioned; especially since now computer graphics have emerged in leaps and bounds since his day. Which he also recognized as a growing field of development. Yet we still can identify and relate to his metaphoric images because he has grounded them in familiar circumstances.

Often we ourselves don’t recognize the metaphors in our work during the early drafts but by nurturing the quality and technical craft of our novels we will begin to recognize them. Then our use of image and metaphor, allusion, theme, symbols, echoes will all have the naturalness of originality instead of imitation too.

Action Steps:

1. Make a list of the words you’d like readers to say about your novels?

2. Write down the themes you’d like your readers to identify with in your novels.

Share: Which one would make your heart sing?

Read deep, marcy

Saturday, June 15, 2019

Words With Impact: Design Symbols as Images Goals

Workshop: Discover Words That Sing

“Celebrate what you want to see more of.”                         Thomas J. Peters

Last week we looked at how one word in a title, or as a character summary, can be strengthened into a metaphor for a broader understanding. But before you can even do that it’s important to know what are your themes and your goals for your story. For example, one of Osamu’s goals for his work was to include a touch of humor or irony, especially when dealing with difficult topics. He felt that especially when he tried to show culture out of control or present the idea that technology had the potential to become unstoppable he would lean into irony.

In the Tales of a Street Corner all the characters were developed with humor and pathos as war came to their corner crashing into their lives. And showed those who remained self-centered and those who grew into selfless actions, like the naughty little mouse who tried to save the bear.

Another key word image for Osamu in creativity was joy and fun. “The fun of experimental animation is the different perspectives people saw.” He appreciated the unique insights his audience had and in turn their comments often sparked new ideas for him to pursue. He worked diligently to create quality work, but did not expect everyone to see only his vision. Once his work released it went free. That is the gift of metaphor in any work.

 In his short film Mermaid he explored potentially closed thinking through “the story of a boy from faraway lands that likes fantasies.” The boy saw a mermaid. Everyone else only saw a fish and went to great lengths to blast his idea of out him. He too eventually saw the fish, but with Osamu’s tilt of angle the last line went, “But the boy did not forget the mermaid.”

Like a firecracker a familiar image might start off in plain wrapping paper and then explode into showers of light.

Action Steps:

1. Read through a picture book the next time you’re at the library or a bookstore but don’t read the words. Look only at the visual background first. Then go back and read the story. How do they complement each other? Does each page have a one-word tag? Funny, scary, curious?

2. Now do a reverse action. Take one of your chapter scenes and mark it off as if it were a picture book. Can you identify a main image on each “page”?

Share: Did you find an image that surprised you? Can you develop it further as a thread without it being forced?

Read deep, marcy

Friday, June 14, 2019

Words With Impact: Design Symbols as Images Messages

Workshop: Discover Words That Sing

“I never make work that is careless.” Tezuka Osamu

While discussing experimental animation during an interview he gave during the 1960’s, Tezuka Osama explained that he desired to introduce the good parts of Japanese animation to the world. He wanted it to be understood internationally or globally. “I would like to convey big messages to the world,” he said. So he began to make pieces for an international audience so that others would understand and care.

To convey his messages of animation and life, culture, humor and irony he worked with familiar images drawn from universal theme and experience. He built upon common ground to engage his viewers, and then angled the image or the expectation of the story in a way that it became a fresh insight and a means of communication. He thoroughly enjoyed the different perspectives that people saw after viewing his style of experimentation.

The titles he chose also provided an introduction to his images and concepts: Jump, A Memory, Mermaid, and Legend of the Forest, showing a wide range of topics and idea grist. Often we forget that our titles are as valuable as the metaphor images themselves. Titles, characters, music, and images all intertwined as metaphor in his animation.

Here is Osamu’s list of characters (images) for his short film, Tales of a Street Corner.

According to the caption these are the people who live at this corner. Note their variety.
      : a friendly girl and a teddy bear
      : a naughty mouse
      : a plant with seeds
      :an old street light
      : a street Punk “Moth”
      : a woman on a poster
      : a young violinist on a poster

Action Steps:

1. Choose two of these characters and make up a sketch of them even if you are a stick figure artist.  (Like me)

2. Then from your interpretation choose a word image or metaphor as their main personality characteristic.

Share: Whom did you choose? Why? What is your word metaphor for them?

Read deep, marcy

Thursday, June 13, 2019

Words With Impact: Design Symbols as Images Genre Webs

Workshop: Discover Words That Sing

“That old fossil, those old bones, walk again, and sing and dance and speak with a new tongue. The old stories bridge the centuries.” Jane Yolen

Taking your basic threads and extending them throughout your story can build strong web imagery regardless of genre. Some will be an almost invisible backdrop and then there are some genres that build their stories around a basic practical web that their readers will expect.

In addition to universal symbols, allusion and echoes, “there are also prefabricated symbols whose meaning the audience understands immediately at some level of conscious thought,” says Truby, and they are seen quite clearly in “highly metaphoric genres” that have honed objects in their forms, such as fantasy, horror, and Western.

Even acknowledging that symbols are always ambiguous to some degree the symbols in these categories also represent something within the hero.  Here is his example list for a ‘Myth Symbol Web’.


Think of a fantasy novel you’ve read. How many of these word symbols do you recall being present—if not in common form, what about as concept?

A Mystery Web is another category where readers have specific expectations that they look forward to puzzling out.

Suspect Characters
Clues/Red Herrings

Every genre—every story—has its own web style whether seen or hidden. Movies often explore deep underlying themes, which the viewers did not necessarily notice at first glance. Ordinary images can create impact and build bridges.

Action Steps:

1. Take your central theme for your story and make a list of all the potential links where you could insert an image that undergirds your premise.

2. Make up your own category web for this particular story.

Share: Were you surprised by any symbol theme or image you chose for your web? Why?

Read deep, marcy

Wednesday, June 12, 2019

Words With Impact: Design Symbols as Images Storyline

Workshop: Discover Words That Sing

“Natural worlds like the island, mountains, forest and ocean have an inherent symbolic power. But you can attach additional symbols to them to heighten or change the meaning audiences normally associate with them.”     John Truby

Just as we have a variety of traits for our character to keep them from being one-dimensional, so we also need to build a web of symbols, says John Truby, “in which each symbol helps define the others.” The symbols can be attached to the story overall, the world setting, actions, theme, and characters to name a few. For example, the story symbol unifies the story theme under one image. So it helps to identify a central story image, or the single line that then connects all the main symbols to its premise, according to Truby.

“The Odyssey: The central story symbol in the Odyssey is in the title itself. This is the long journey that must be endured.”

Network: The network is literally a television broadcasting company and symbolically a web that traps all who are entangled in it. ”

Once we identify the symbol that best unifies our story under one image, then we look for ways to repeat it by varying the details in some way. Look for categories, Truby says. One example he gives is from A Streetcar named Desire.

“Stanley is referred to as a pig, a bull, an ape, a hound and a wolf to underscore his essentially greedy, brutal and masculine nature. Blanche is connected to a moth and a bird, fragile and frightened.”

The variations may also be disparate actions but at the heart all contain a common thread. For example, the movie Green Dragon has an abundance of metaphoric symbols that on the surface are not at first recognized as connected. However the common ground is creativity built into everyday activities.

The staff sergeant takes photographs throughout the camp setting to keep a record of the historical circumstances and of the people who have been impacted. But it is through the photos that he himself comes to term with his own secrets and need for healing. A young refugee woman sews, and an elderly general plants a seed.  An orphaned refugee boy and an American volunteer cook paint a mural and find hope in death. Each one finds a place of healing in creative actions.

The movie Avatar is an excellent study for the aspect of symbol connections within nature. Within each of the natural settings is a combination of breathtaking beauty and nail biting danger. Plus overlaying this exquisite world is a poisonous atmosphere, at least for humans.

Another is the lovable WALL*E where instead of humanity bringing rescue to a struggling world, they themselves are the ones in need of rescue. Both these movies use familiar images that then turn viewer expectations upside down and engage the audience into new perspectives.

Action Steps:

1. Choose a central story image that undergirds your story theme.

2. Now write up a verbal word or a visual image or music tone that could be a silent backdrop to the world setting, specific actions, central theme, for both your main character and another key character, whether they have a positive or negative purpose.

Share: What has become your main premise that links all your puzzle pieces?

Read deep, marcy

Tuesday, June 11, 2019

Words With Impact: Design Symbols as Images

Workshop: Discover Words That Sing

“…symbol is the small puzzle that works its magic deep below the surface.” John Truby

Symbols as Images

As mentioned in the last section one way to build emotional resonance is through art and music, which can reflect lost or forgotten landscapes. When a character is in an unfamiliar external or internal environment, music and or art can become a mirror, reflecting his or her spiritual alliance to another place. It translates the character’s soul landscape for them. Our words sing heart to heart.

John Ciardi, when defining imagery, states that, “We think in pictures; when we put our thoughts into words, it is natural and efficient to express them in figurative language, or figures of speech.” Like words, he says, images are used for identification and for their emotional connotations.  “Images also have histories.”

Poet C. Day Lewis says the nature of poetic sympathy is revealed in images, whether in verse or prose. He describes a concord between image and theme as the principle that organizes and reveals. He quotes Rilke for a description of the imaginative process that brings about ‘soul’ connections.

            “‘Only when thy have turned to blood within us’—first the sympathy that makes an object memorable; then the breadth of experience to gather a multiplicity of memories; then the patience which allows the memories to mature deep within, to form their associations, and to assume the nature of images….”.

Those images in verse or prose also extend to other insights with photographs and paintings, geographic settings, and music, towards overall atmosphere. All contribute to build ongoing theme threads and analogies.

Action Steps:

1. Choose a song that is familiar to you from your childhood. Hum the melody. What memories does it raise?

2. Now choose an instrument that is familiar in your story world and give your character your emotions. Does it give him strength or sorrow?

Share: What special images from your past give you hope?

Read deep, marcy

Saturday, June 8, 2019

Words With Impact: Describe Symbols as Allusions and Echoes: Dance

Workshop: Discover Words That Sing

“Dance is the hidden language of the soul” Martha Graham

To describe and implement symbols, images and typology, we are looking for familiar touchstones to relate to whether in characters, words, or patterns—plus the geography that connects whether literally as a highway, or a road marked on a map. They open communication through all sensory responses depending on the allusions and echoes and images that rise to the surface.

As we’ve reflected back on the connections that most influence us we see that the strongest ones often come through our senses. Like being drawn to a kitchen when someone is baking cookies. These echoes can show up in unexpected places or be ones we hold tightly, so as not to forget a place or a special person.

When times of chaos, or tragedy, or stress strike, these images can become lifelines as well when they hold goodness and love.

As mentioned earlier we need to keep listening to our stories. Don’t force a symbol or theme but watch and see through the brainstorming and drafts what rises to the surface. However, once you see the comparisons, or know some themes, look for ways to enhance them naturally. If a particular metaphor keeps echoing through the work examine it for the potential to either become a symbol you incorporate, or keep as a symbol for yourself writing towards it without stating what it is.

The movie Shag is named after and highlights Carolina Shag dancing in the 1960’s. The focus is set on a weekend with four young women transitioning from high-school. The dance allusion tracks their personal discoveries as they begin to see themselves from a new perspective.

Some of its timeless appeal definitely included the music, which captured the era, was fun, and wove its own magic. But the key echo was the metaphor of dance behind the actual dance steps and music, which the movie blended seamlessly throughout the storyline.

For example: the character Pudge loves to dance, is so excited she can’t wait to be at the dance hall, and faces immediate disappointment as no one wants to dance with her.  She sees herself through her nickname as undesirable. The surface dilemma is a minor inconvenience to the deeper desire for Pudge to have someone value her for herself, for someone to wants to ‘dance’ with her, to match her heart.

The young man she meets insists he can’t shag so Pudge offers to teach him. He actually is an excellent dancer but he too is looking beyond the surface and doesn’t want to be liked just because he can dance in the contest. The dance metaphor guides them into a real understanding of friendship and relationship and possibilities.

They learn their new steps as individuals hearing their own heartbeats, their real desires, and their soul hungers.

Action Steps:

1. Choose a dance theme that matches your character, whether current or historical to her real timeline. Chart out the actual dance moves and the pattern to them.

2. How can you apply that pattern to an emotional conflict she is trying to comprehend?

Share: What timeless quality does it unveil for her situation?

Read deep, marcy


Thursday, June 6, 2019

Words With Impact: Describe Symbols as Allusions and Echoes: Direction

Workshop: Discover Words That Sing

“I hope the audience will feel the possibility of magic—if not real magic, then the metaphor of magic—touching their lives, and making them better for it.” Scott Glenn

In our writing, as well as on the roads we literally travel on, we continually need to read directions to understand where we are, to make sure we haven’t gotten lost. What does that sign say? Danger ahead, construction work in progress, slow down, curve ahead, slippery, speed limit. The story becomes as much a part of the journey as the destination.

There are many maps to explore: mythic, cultural, psychological, spiritual, emotional, and personal. All have the potential to deepen our appreciation of the story we’re in. Our emotions engage in resonance as we hold our breath at the villain, sigh in relief at escape, and cry with happiness at reconciliation. Our hearts watch for the clues.

In the movie, The Seventh Stream, we can also track the moral direction of the characters through their actions. Dunhill is an embittered young man who controls Mairead, the selkie. Greed is Dunhill’s heart’s desire.

Our first glimpse is his attempt to kill a seal. But he stops as he looks into her eyes. Why? Belated compassion? No, instead he has a glimmer of a greater bounty. Unlike Quinn, Dunhill does believe the legends and so he captures the skin of this selkie, forcing her under his power.

He is desperate for a life of ease, for the respect of the villagers and for riches. Greed leads to murder. First he kills her spirit by imprisoning her. Then later he threatens to kill his own father. His choices and decisions are plotted according to his heart’s desires as clearly as a roadmap.

Action Steps:

1. Choose one of the “seven deadly sins” and write out a trajectory for its satisfaction, from the smallest impulse to final completion. 

2. Apply those steps to your antagonist’s career arc.

Share: What sin did you choose? Why and how does it apply?

Read deep, marcy

Tuesday, June 4, 2019

Words With Impact: Describe Symbols as Allusions and Echoes: Mirrors

Workshop: Discover Words That Sing

“A fantasy novel is more than an adventure or a quest. Rather it is a series of image-repeating glasses, a hall of mirrors that brings past and future into focus and calls it the present.” Jane Yolen

Even when the glass is smudged, a mirror reflects an image. So do memories, even though sometimes they shift and blur like a house of mirrors giving a distorted emphasis. But then we can filter and process and hold onto the parts that have meaning.

A series of repeating images also connects us in our personal histories, our personal daily adventures, and our quests. They’re not always easy to grasp though because of other influences, and often jaded opinions.

In the movie Larry Crowne, Larry’s navy experience is dismissed by a thoughtless co-worker as irrelevant because of him only being a cook. Yet when Larry himself finally has the opportunity to share his memories in a safe environment, we see what an enriching life that opportunity gave him. His memories hold his audience rapt as he shares traveling the world, crossing the equator, and seeing the Northern Lights, places we often only see in magazines and television. He lived it. And with humor he also shares peeling potatoes, serving up pasta, and doing dishes. His day-to-day adventure.

His perspective takes that particular season of his life and then holds in his memory the parts that matter, the parts that make him real. It has focus in the present.

Action Steps:

1. Take a memory your main character has from childhood that she remembers with extreme fondness. Then have a relative turn the actual memory upside down. What impact does that have?

2. Repeat with a memory that causes fear.

Share: Which one gave a stronger image?

Read deep, marcy

"The Seeker" Rachel Marks | Content Copyright Marcy Weydemuller | Site by Eagle Designs
image: footer