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“You enter the extraordinary by way of the ordinary.” ~Frederick Buechner

Showing posts with label Clues. Show all posts
Showing posts with label Clues. Show all posts

Thursday, July 12, 2012

Create with Mystery



Questions are hardwired into us from the time we grasp communication. Spend a day with a toddler and the main conversation is surrounded around “Why?” And knowing the answer can still be insufficient. “How” often comes next.

The mystery genre takes the desire to uncover motives ranging from a cozy pleasant afternoon adventure of  “who, when, and where” to complicated psychological puzzles. The mystery writer must plan out every detail to hold the story’s interest. However other genres need the curious just as much. The clues become imbedded in the plot.

Wrong turns, false trails and coincidental characters are the enticement that we follow like breadcrumbs to find the answer.  “What” will happen next?

When we create with mystery regardless of genre, we add an additional layer of depth to our storyline. Even if we know, or think we know, the outcome we’re more than willing to engage in the adventure. We are ready to discover the path that gets us from here to there. And the more tangled the better.

For example, in the movie Penelope, the diligent journalist Lemon follows his clues thoroughly. All his primary facts are right. However since his assumptions are slightly off kilter they not only mislead him but also his co-characters and the audience. In addition the error creates a long thread of subplot points adding to the story tension and resolution. At each junction the lure “why” creates more curiosity. When finally the beginning situation is revealed all the threads unravel into a clear understanding.



Journal Prompt:

It’s not only mysteries that can provide red herrings. Choose a conversation your protagonist has with someone important to her. Now take each line of conversation and choose a way it could be misunderstood.  Do a silly, comedic version and a serious confrontational version.

Choose the one that best fits your theme. Plot out a sequence of decisions that could result from that error in communication. Can you incorporate them as tension points in your novel?


Share: Share a movie or a novel that when the twist came you couldn’t believe you didn’t recognize it. And it fit perfectly into the story.

Friday, December 30, 2011

Mystery


When you’re really rushed for time, do you find yourself toe-tapping when someone gives you a long explanation? What is the point, you wonder. Racing from here to there doesn’t allow for leisurely conversation and even less for stories or riddles.

Yet, what if the meandering is really an invitation to a mystery that can enrich your day, or your heart, or your soul beyond your imagination?

In The Land of Darkness, by C.S. Lakin, Callen and Jadiel are running out of time. With each new clue or riddle they unravel to bring them closer to their goal comes an even more mysterious saying and confusion. Callen’s impatience grows—he wants a direct answer now. But a life-changing mystery, like a parable, needs time to uncover and even more time to discover the meaning.

“Callen’s head swam with images: the king-priest buried under the terebinth, with its boughs in the heavens. The tree cut down, but sprouting again. A king returning, blowing breath into dry bones. But not the king-priest of Antolae—a different king. The boar’s words swam dizzily in his head. ….. How were all theses stories tied together? And the one image that wouldn’t come was the one he yearned for most—the bridge.”

At the end of the encounter all they have is another city to travel to with even more questions that need asking.


Journal Prompt:

1. Even if you do not have a mystery in your novel choose a situation to become a mini-mystery parable with long reaching significance.

2. Pick a scene where your character is pressed for time. Make a list of possible obstacles, such as a flat tire. Have a good ‘helper’ come alongside to assist, but keeps making the situation worse.

3. Then, when your character finally reaches his goal, he realizes that the interference saved him in some way—maybe from a huge embarrassment. How does that change his perspective on his frustration?

 
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