Sample Movie Deconstruction
(2A)
Unless we are in a movie theater where we have just spent a
fortune in snacks and feel the need to stay, we are likely to switch off a
movie if it doesn’t draw us in from the beginning. After all there are so many
other choices vying for our time. Same equivalent for a first chapter.
Yet we’re not all wired to the same stimuli. So what does
need to be there? For me, the criteria becomes a sense of the unfamiliar to
raise enough curiosity for the next sequence, and a sense of the familiar so
that I can trust the story will engage my emotional connections.
Here is a partial brainstorm I did from the opening scene of
Episode One in the series Firefly
focused on the same journal questions I asked you.
Unfamiliar Familiar
-Sound of guns unusual -tank
trucks, modern planes
-Spaceships?? Couldn’t tell -“going
duck-hunting”
-“God and
angels” unusual comment, -Kisses
emblem around neck-a cross??
especially when he said it But
believes in something
-one soldier very frightened
Although I am a huge fantasy/sci-fi genre fan, I am also a
very anti-war movie just for the sake of war viewer. There has to be something
really strong to get me to watch any war movie now. However, as you can see
from my draft notes, the characters raised both curiosity and connection. I’m
willing to see where the heart map goes. I have a friend who glued in
completely to all the war technology and missed any ‘heart’ signs at that
moment.
Here’s an excerpt from a previous blog. The opening scene in
Phantom of the Opera sets up the
common physical map ground of emotional experience, first present and then
past. It is a bleak day. The access route to the opera house is cold, wet, and
icy. The elderly need assistance. And once inside the interior proves even more
hazardous. There is no shortage of concrete physical metaphors in the decayed
building. One student in the discussion remarked, “I saw it also as the future
being the death of the past.” http://mythicimpact.blogspot.com/2011/07/maps.html
Another student found another detail more connective. For example,
the ruins of the opera house were coated with cobwebs. Seems to be a natural
connection, but as one student pointed out the cobwebs it took on a deeper
meaning. Just as a cobweb is a concentrated and patient work of art, so was the
Phantom’s training of Christine’s voice. Just as the cobweb is a lure for a
spider’s meal, so was the lure to Christine to join the Phantom in his world.
And also as the cobwebs clung to the fixtures after decades of decay, so did the
Phantom’s story cling to the frail elderly visitors to the auction. http://mythicimpact.blogspot.com/2011/07/metaphors.html
Journal Prompt:
Look back through your notes on the
familiar and unfamiliar you’ve taken.
1)
Which ones fall under curiosity and which under
emotional connections?
2)
Which has the stronger draw for you?
3)
Or which detail most caught your attention?
Share: Is there another
stimuli category that pulls you in?
